Reprinted from the
 
January 23, 1997


EDDY BARON'S CREATIONS HELPED JOHN WAYNE WIN THE WEST AND INDIANA JONES STYLISHLY FACE ADVENTURE.  NOW READY TO SLOW DOWN A BIT, HE'S FOUND SOMEONE ELSE AND HE'S ...
PASSING THE HAT!!

Burbank, CA..
Think of a movie star, think of a signature role. Focus on the hat and that's the work of Eddy Baron: John Wayne (pick any western), Harrison Ford (as Indiana Jones), Paul Hogan (as Crocodile Dundee) Jim Carrey (as the Mask), Kevin Costner (as Wyatt Earp), Jeff Bridges (as Wild Bill Hickock).

Baron California hats was founded by Columbian native, Eddy Baron who came to Los Angeles in 1956 to practice his trade after working in father's hat factory.

Leaving the company in more than capable hands, Baron has sold the company to 33-year-old Mark Mejia. Mark began dabbling in hat making after a friend introduced him to hand-woven Montecristi Panama hats from Ecuador. He needed blocks to finish some hat bodies and scoured the yellow pages for resources. Baron's shop was one of the precious few.

Walking in the first time, Mark was in awe. Then to his surprise, he learned that not only the block were for sale, but the whole shop as well.

Thus began a whirlwind apprenticeship in making restoring, reblocking and cleaning hats.

Up front on the sales floor are rows and rows of felt and straw hats, from fedoras to Western styles to porkpies, many of them finished with stitching or trims by Baron's daughter, Clara.

The back workshop consists of a long wooden table equipped with two lamp-sized forms that emit steam with the press of a foot pedal, on which the felt is stretched and softened. Vintage iron tools for shaping brims rest on a hot plate.

Off to the side is a small room housing felt hat bodies in wool and beaver fur blends, domestic and imported, in shades from pale beige to chocolate, gray, olive and black. Still another room holds dozens of blocks. 

These molds, some worn as smooth as driftwood after years of use are used to shape of the crowns of tri-corners, stovepipes, top hats, derbies, gamblers, Viking helmets, grand napoleons, pointy clown comes and Smoky bear toppers. (Baron is the official supplier for Smokey at several national parks).

One shelf holds a selection of miniature blocks, small enough to be to be for children's hats - but aren't.

"Believe it or not", say Mejia, we make a lot of hats for organ grinder's monkeys." Some pampered dogs and cats have also had hats commissioned by their owners.

But men make up most of the shop's clientele, (women usually got to milliners). About 80% of the business is costuming and the rest is custom work. 

Creating hats for movie and TV begins when the costume designer comes to the shop with sketches, photos or a snippet of video footage. The shop's reference books help ensure historical accuracy.

"It has to be right", Mejia says. "There's a lot of tweaking here and there."

Costume designer Dan Moore who worked with Baron on films such as "Wild Bill", "Last Man Standing", and "Geronimo", explains that subtle differences can mean a lot. In "Wild Bill" for example, the brim on the star's western hat communicates something about the character. 

"Jeff Bridges is such a stickler for (authenticity), it's how he gets into the character," Moore says. "I'm looking at a picture of him from the movie right now, and there's a rakish tilt to the brim. You always want to tell a story with the clothes and hats are a great way of (doing that) - It's a quick visual. Moore says Baron needs little direction. His sense of what a costumer wants is innate.

"Eddy is a true artist. He's just an incredible resource."

Men seeking custom hats, Mejia says, usually know exactly what they want. Once measurements are taken, customer select the weight and the color of the body that will be transformed into a homberg, derby, fedora, cowboy style. Old favorites can be transformed, - a crown can be lowered, a brim trimmed. Creating a new hat takes about a week.

Michael Gottleib happened upon Baron's by accident. "I love hats more than anything", says the writer/producer, "and when I went in there I got lost. I realize it was not just a hat store, but something very special. No one really understands what they're selling anymore, and to se somebody like Mr. Baron take pride in what he does, and really love it, is really wonderful."

Mejia plans to change little about the way the shop is run: the name will stay the same. He'll look to do more custom work and add more imported Montecristis to the stock - women's as well as men's.

And the shop will continue to funnel a percentage on the Montecristi proceeds to math and science education in towns where the hats are produced.

"The most important thing for me," Baron says, "is that I want the tradition carried on...And Mark has good hands for making hats." Coming from the meticulous and reserved Eddy, this is the ultimate compliment.


Copyright © 1997 Los Angeles Times


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